No. 6 Accent Table by Fornasetti
Showcasing the lithographic image of house muse Lina Cavalieri on black and white lacquered wood, Fornasetti's No. 6 accent table rests on a black metal tripod base with goldtone hardware. From Piero Fornasetti's historical Themes & Variations archives.
This item is available to view by appointment. Item ships from Sydney.
Condition
This item is in very good condition. This is an item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended.
Dimensions
Width 360
Depth 360
Height 490
Please note that delivery is not included in the purchase price. For more on delivery, go here.
Showcasing the lithographic image of house muse Lina Cavalieri on black and white lacquered wood, Fornasetti's No. 6 accent table rests on a black metal tripod base with goldtone hardware. From Piero Fornasetti's historical Themes & Variations archives.
This item is available to view by appointment. Item ships from Sydney.
Condition
This item is in very good condition. This is an item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended.
Dimensions
Width 360
Depth 360
Height 490
Please note that delivery is not included in the purchase price. For more on delivery, go here.
Original: $425.33
-65%$425.33
$148.87Description
Showcasing the lithographic image of house muse Lina Cavalieri on black and white lacquered wood, Fornasetti's No. 6 accent table rests on a black metal tripod base with goldtone hardware. From Piero Fornasetti's historical Themes & Variations archives.
This item is available to view by appointment. Item ships from Sydney.
Condition
This item is in very good condition. This is an item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended.
Dimensions
Width 360
Depth 360
Height 490
Please note that delivery is not included in the purchase price. For more on delivery, go here.
